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A scrapbook of stuff I'm reading / looking at / listening to / thinking about...



Jul 22, 2014
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Carl Wilson, Let’s Talk About Love: A Journey to the End of Taste

This was great. I picked it up because of Mark’s review.

mlarson:


  I read Carl Wilson’s Let’s Talk About Love: A Journey to the End of Taste, and it’s probably my favorite book of the year so far. Like Wilson, I never cared that much for Céline Dion’s music, and hadn’t tried to care, but I came away with a new appreciation for where she came from and some of her shrewd business moves. But it’s not just about the music and industry angle, the good stuff is how he uses Dion as the pivot to talk about taste, and all the baggage that informs our opinions.
  
  
    Much of this book is about reasonable people carting around cultural assumptions that make them assholes to millions of strangers.
  


There are tons of great quotes from the book, many of which Mark already pulled out. I particularly liked this one—


  Punk, metal, even social-justice rock like U2 or Rage Against the Machine, with their emphatic slogans or individuality and independence, are as much “inspirational” as Céline’s music is, but for different subcultural groups. They are just as one-sided and unsubtle.


—which reminded me of the Neil Young vs. Billy Joel section of Faking It: The Quest for Authenticity in Popular Music.

It’s a really fun read. I kept misplacing it around the house and asking my wife, “Have you seen my Celine Dion book?” Which was pretty hilarious. Recommended.

BTW: there’s a new edition of the book that includes essays from other writers on the topic of taste.

Filed under: my reading year 2014

Carl Wilson, Let’s Talk About Love: A Journey to the End of Taste

This was great. I picked it up because of Mark’s review.

mlarson:

I read Carl Wilson’s Let’s Talk About Love: A Journey to the End of Taste, and it’s probably my favorite book of the year so far. Like Wilson, I never cared that much for Céline Dion’s music, and hadn’t tried to care, but I came away with a new appreciation for where she came from and some of her shrewd business moves. But it’s not just about the music and industry angle, the good stuff is how he uses Dion as the pivot to talk about taste, and all the baggage that informs our opinions.

Much of this book is about reasonable people carting around cultural assumptions that make them assholes to millions of strangers.

There are tons of great quotes from the book, many of which Mark already pulled out. I particularly liked this one—

Punk, metal, even social-justice rock like U2 or Rage Against the Machine, with their emphatic slogans or individuality and independence, are as much “inspirational” as Céline’s music is, but for different subcultural groups. They are just as one-sided and unsubtle.

—which reminded me of the Neil Young vs. Billy Joel section of Faking It: The Quest for Authenticity in Popular Music.

It’s a really fun read. I kept misplacing it around the house and asking my wife, “Have you seen my Celine Dion book?” Which was pretty hilarious. Recommended.

BTW: there’s a new edition of the book that includes essays from other writers on the topic of taste.

Filed under: my reading year 2014

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READ A BOOK INSTEAD

I made an iPhone wallpaper for you.

READ A BOOK INSTEAD

I made an iPhone wallpaper for you.

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It is said an Eastern monarch once charged his wise men to invent him a sentence, to be ever in view, and which should be true and appropriate in all times and situations. They presented him the words: “And this, too, shall pass away.” How much it expresses! How chastening in the hour of pride! How consoling in the depths of affliction! “And this, too, shall pass away.”
Abraham Lincoln, 1859

Jul 21, 2014
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Jul 19, 2014
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Don’t make stuff because you want to make money — it will never make you enough money. And don’t make stuff because you want to get famous — because you will never feel famous enough. Make gifts for people — and work hard on making those gifts in the hope that those people will notice and like the gifts.

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Robert De Niro, Sr. and Virginia Admiral

Did you know Robert De Niro’s parents were both painters who met in art school?

Wikipedia:


  At [Hans] Hofmann’s summer school, [De Niro] met fellow student Virginia Admiral, whom he married in 1942. The couple moved into a large, airy loft in New York’s Greenwich Village, where they were able to paint. They surrounded themselves with an illustrious circle of friends, including writers Anaïs Nin and Henry Miller, playwright Tennessee Williams, and the actress and famous Berlin dancer Valeska Gert. Admiral and De Niro separated shortly after their son, Robert De Niro, Jr., was born in August 1943.


See also: the documentary Remembering The Artist: Robert De Niro, Sr.

Robert De Niro, Sr. and Virginia Admiral

Did you know Robert De Niro’s parents were both painters who met in art school?

Wikipedia:

At [Hans] Hofmann’s summer school, [De Niro] met fellow student Virginia Admiral, whom he married in 1942. The couple moved into a large, airy loft in New York’s Greenwich Village, where they were able to paint. They surrounded themselves with an illustrious circle of friends, including writers Anaïs Nin and Henry Miller, playwright Tennessee Williams, and the actress and famous Berlin dancer Valeska Gert. Admiral and De Niro separated shortly after their son, Robert De Niro, Jr., was born in August 1943.

See also: the documentary Remembering The Artist: Robert De Niro, Sr.

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Hans Hofmann Drawings

Boston Globe:

Executed with a matchstick dipped in ink, and sometimes made on the fly in his roadster, the drawings come across as breezy finger exercises. The more you look at them, though, the more you see…

More on Hofmann here.

Filed under: drawing

Jul 18, 2014
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It seems like many people think that if you drive yourself crazy, then you can write. I’m absolutely not interested in that. It made sense to me to be as whole and well as I could be, and as happy. I wanted to see what a fortunate life would produce. What writing would come out of a mind that didn’t try to torment itself? What did I have to know? What did I have to do rather than what can I torment and bend myself into doing? What was the fruit on that tree?

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Everything has already been said and done. But, then, if this is so, why do we need more poems in the world? I once read a Jane Hirshfield interview where she said something quite wonderful. She essentially said we have to keep writing because it’s every generation’s job to put in the present vernacular poems that are called upon for rites of passage, such as poems read at weddings or funerals. I hadn’t thought of this before. Your ordinary citizen should be able to go to the library and find a poem written in the current vernacular, and the responsibility for every generation of writers is to make this possible. We must, then, rewrite everything that has ever been written in the current vernacular, which is really what the evolution of literature is all about. Nothing new gets said but the vernacular keeps changing.

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A short film on Maira Kalman

Daydreaming is a function of the brain that’s an uncensored exploration, without controlling it, of ideas and emotions. Often, the best ideas, the smartest ideas, the most amazing ideas come from those moments when you’re not trying.

Filed under: Maira Kalman

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