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Posts tagged "career"

Sep 05, 2014
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First of all, don’t worry about the money. Love the process. You don’t know when it’s gonna happen. Louis C.K. started hitting in his 40s; he’d been doing it for 20 years. And don’t settle. I don’t want to ever hear, “It’s good enough.” Then it’s not good enough. Don’t ever underestimate your audience. They can tell when it isn’t true. Also: Ignore your competition. A Mafia guy in Vegas gave me this advice: “Run your own race, put on your blinders.” Don’t worry about how others are doing. Something better will come.

Aug 23, 2014
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We hear “do what you love” so often from those few people who it did work for, for whom the stars aligned, and from them it sounds like good advice. They’re successful, aren’t they? If we follow their advice, we’ll be successful, too! […] We rarely hear the advice of the person who did what they loved and stayed poor or was horribly injured for it. Professional gamblers, stuntmen, washed up cartoonists like myself: we don’t give speeches at corporate events. We aren’t paid to go to the World Domination Summit and make people feel bad. We don’t land book deals or speak on Good Morning America.

Aug 11, 2014
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I never thought that I’d be discovered. I just thought I’d be somebody who was a hard worker. For me, things started to happen once I completely gave up the concept of being discovered. I discovered what I wanted to do. That would be my advice to young performers: don’t want to be famous. Want to be legendary. In many ways, fame is the industrial disease of creativity. It’s a sludgy byproduct of making things.

Jul 23, 2014
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He picked up a pebble
and threw it into the sea.

And another, and another.
He couldn’t stop.

He wasn’t trying to fill the sea.
He wasn’t trying to empty the beach.

He was just throwing…

Jul 15, 2014
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EH!? NO! NO! NO! It is not much to compose 12 or 13 cantatas in one year because if you think about it Bach, for example, used to compose one cantata a week. He had to compose the music in time for it to be performed in church on Sunday so if you just consider Bach, you will see that I’m practically unemployed!

Jun 25, 2014
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Don’t ask.

An old saying that I can’t stand is, “You don’t get if you don’t ask.” [My career really started when] I did a little reading in Chicago at a club. It was just a silly show, but Ira Glass happened to be in the audience. He introduced himself and then he called me a couple of years later and asked if I had anything Christmas-y that would work for a local radio show in Chicago. I had a story about the time I worked as an elf at Macy’s Santa Land, so I recorded the story and he put it on his radio show Morning Edition, which has an audience of 10 million. It changed my career in every way, but the difference is, I didn’t invite Ira to come and hear me, he just happened to be there. Somebody gave me a manuscript not that long ago. The note on it said, “Please Mr. Sedaris, you can become my Ira Glass.” That’s not the same! I have helped plenty of people, but I’ve helped them because they didn’t ask me to. Usually when somebody asks you, that’s a sign that their talent is for self-promotion, not writing.
David Sedaris

Jun 19, 2014
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I’m just back out here to make enough money to disappear again.

Jun 17, 2014
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John Cassavetes, Cassavetes on Cassavetes


  People are afraid to be themselves, until they become other people, and they can never become themselves again.


(via)

John Cassavetes, Cassavetes on Cassavetes

People are afraid to be themselves, until they become other people, and they can never become themselves again.

(via)

(Source: 5oclockcoffees)

Jun 09, 2014
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I needn’t rush myself, for that does no good — but I must carry on working in calm and serenity, as regularly and concentratedly as possible, as succinctly as possible. I’m concerned with the world only in that I have a certain obligation and duty, as it were — because I’ve walked the earth for 30 years — to leave a certain souvenir in the form of drawings or paintings in gratitude.
— Vincent van Gogh to Theo van Gogh, August 7, 1883

May 30, 2014
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Perhaps the answer is not to be too successful at any particular thing: Success can become an albatross for an artist, as it does for those actors who do so well in a particular role that they can never successfully take on any other.
Brian Eno, when asked the secret of artistic longevity
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