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A scrapbook of stuff I'm reading / looking at / listening to / thinking about...



Posts tagged "cartooning"

Nov 03, 2013
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thenearsightedmonkey:

"Let’s Draw a Car and then Let’s Draw Batman"

A comics essay by Lynda Barry

Illustrations retrieved from materials discarded by participants in Lynda Barry’s writing workshop at The Wisconsin Institutes for Discovery, University of Wisconsin-Madison, Fall 2013

Filed under: Lynda Barry

Oct 25, 2013
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Let my very funny friend Matt Diffee, he of New Yorker fame, teach you how to get a great idea.

See also: Frank Chimero’s “How To Have An Idea”

Sep 03, 2013
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Ralph Steadman drawing and playing ukulele in his studio in Kent

Amazing video of one of my very favorite artists.

People have said, “Oh, I thought you’d be a nasty piece of work because you’re so dark and trenchant,” and I say, “No I’m not! I’ve got rid of it — it’s all on paper!”

On mistakes:

There’s no such thing as a mistake. A mistake is only an opportunity to do something else.

On style:

I never went out of my way to invent a style. I haven’t got a style — I just draw and it’s that way.

Basically who I want to be when I grow up…

(via @abstractsunday)

Jun 15, 2013
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Ivan Brunetti, Aesthetics: A Memoir

Brunetti’s an interesting guy. I love the spirit of the introduction—his humility and his contentment with just being one small member in a tribe of craftsmen…


  I am aware that there is no originality in my work, that pretty much all I am doing essentially is making my own version of Peanuts (crossed with Robert Crumb) and a vastly, hopelessly inferior one at that….No matter. I am happy to be a subatomic particle whizzing around inside the seemingly infinite ocean of cartooning.


…and the the book trailer…


  As a teacher, I like to encourage my students to explore their own past and explore the things that shaped them. And from there, I think you can use that as raw material for whatever [else] you want to explore. I don’t think anyone should be ashamed of where they came from or the things that aesthetically shaped them….
  
  I’m sure people will look at my drawing style and think, “That’s pretty simple. I can do that.” And actually, I think that’s good. That’s what I want people to say. Hopefully it will inspire someone to feel like they can do it and that they can take whatever limited ability or limited means…even just using the cheapest materials. […] The hardest thing for most people is simply getting started. That’s my hope [for this book] really: that people will look through it and just feel inspired to make something of their own and start valuing whatever it is they make.


If you haven’t read his book, Cartooning: Philosophy and Practice, it’s $10, and probably the best guide to cartooning ever written.

Ivan Brunetti, Aesthetics: A Memoir

Brunetti’s an interesting guy. I love the spirit of the introduction—his humility and his contentment with just being one small member in a tribe of craftsmen…

I am aware that there is no originality in my work, that pretty much all I am doing essentially is making my own version of Peanuts (crossed with Robert Crumb) and a vastly, hopelessly inferior one at that….No matter. I am happy to be a subatomic particle whizzing around inside the seemingly infinite ocean of cartooning.

…and the the book trailer

As a teacher, I like to encourage my students to explore their own past and explore the things that shaped them. And from there, I think you can use that as raw material for whatever [else] you want to explore. I don’t think anyone should be ashamed of where they came from or the things that aesthetically shaped them….

I’m sure people will look at my drawing style and think, “That’s pretty simple. I can do that.” And actually, I think that’s good. That’s what I want people to say. Hopefully it will inspire someone to feel like they can do it and that they can take whatever limited ability or limited means…even just using the cheapest materials. […] The hardest thing for most people is simply getting started. That’s my hope [for this book] really: that people will look through it and just feel inspired to make something of their own and start valuing whatever it is they make.

If you haven’t read his book, Cartooning: Philosophy and Practice, it’s $10, and probably the best guide to cartooning ever written.

(Source: yalepress.yale.edu)

Feb 20, 2013
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Milton Caniff in his studio, c. 1947


Wow. I want to go to there.

(via @comicsreporter)

Jan 25, 2013
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Al Hirschfeld’s signature: spot the NINA

We were talking about signatures yesterday, and my wife reminded me of Al Hirschfeld. Wikipedia:

Hirschfeld is known for hiding the name of his daughter, Nina, in most of the drawings he produced after her birth in 1945. The name would appear in a sleeve, in a hairdo, or somewhere in the background. As Margo Feiden described it, Hirschfeld engaged in the “harmless insanity,” as he called it, of hiding her name [Nina] at least once in each of his drawings. The number of NINAs concealed is shown by an Arabic numeral to the right of his signature. Generally, if no number is to be found, either NINA appears once or the drawing was executed before she was born. Hirschfeld originally intended the Nina gag to be a one-time gimmick but locating Nina’s name in the drawings became extremely popular. From time to time Hirschfeld lamented that the gimmick had overshadowed his art and tried to discontinue the practice, but such attempts always generated harsh criticism. Nina herself was reportedly somewhat ambivalent about all the attention. In the previously mentioned interview with The Comics Journal Hirschfeld confirmed the urban legend that the U.S. Army had used his cartoons to train bomber pilots with the soldiers trying to spot the NINAs much as they would spot their targets. Hirschfeld told the magazine he found the idea repulsive, saying that he felt his cartoons were being used to help kill people. In his 1966 anthology The World of Hirschfeld he included a drawing of Nina which he titled “Nina’s Revenge.” That drawing contained no Ninas. There were, however, two Als and two Dollys (“The names of her wayward parents”).

See if you can spot the NINAs above.

(Hint: look to the hair and the gentleman’s lapel.)

Jan 12, 2013
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Preston Blair’s Advanced Animation

Preston Blair’s Animation (Book 1) is the best “how to” book on cartoon animation ever published. When Blair put the book together in 1947, he used the characters he had animated at Disney and MGM to illustrate the various basic principles of animation. Apparently, the rights to use some of the characters were revoked after the book was already in the stores. Publication was halted for a time, and he was forced to redraw most of the MGM characters, replacing them with generic characters of his own design. The revised edition went on to become a classic, and the first edition was forgotten.

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Wally Wood’s 22 Panels That Always Work


  I don’t believe that Woody put the examples together as a teaching aid for his assistants, but rather as a reminder to himself. He was always trying to kick himself to put less labor into the work! He had a framed motto on the wall, “Never draw anything you can copy, never copy anything you can trace, never trace anything you can cut out and paste up.” He hung the sheets with the panels on the wall of his studio to constantly remind himself to stop what he called “noodling.”


See also: Ivan Brunetti’s parody

(Thx to Andy Wales)

Wally Wood’s 22 Panels That Always Work

I don’t believe that Woody put the examples together as a teaching aid for his assistants, but rather as a reminder to himself. He was always trying to kick himself to put less labor into the work! He had a framed motto on the wall, “Never draw anything you can copy, never copy anything you can trace, never trace anything you can cut out and paste up.” He hung the sheets with the panels on the wall of his studio to constantly remind himself to stop what he called “noodling.”

See also: Ivan Brunetti’s parody

(Thx to Andy Wales)

Dec 22, 2012
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Dec 07, 2012
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drawnblog:




Cartoonist Gabrielle Bell is doing watercolor portraits over Skype. They’re tiny and amazing, and $35 I think. This might be the best possible use for Skype, although the scientific research isn’t in yet.




What a great idea. I love it when cartoonists use new technology to update old ways of making dough — painting portraits is almost as old as painting itself, but add the Skype element and you’ve got something new. I’m reminded of when Ray Fenwick adopted an “arts grant” model for drawing in his sketchbook. 

drawnblog:

Cartoonist Gabrielle Bell is doing watercolor portraits over Skype. They’re tiny and amazing, and $35 I think. This might be the best possible use for Skype, although the scientific research isn’t in yet.

What a great idea. I love it when cartoonists use new technology to update old ways of making dough — painting portraits is almost as old as painting itself, but add the Skype element and you’ve got something new. I’m reminded of when Ray Fenwick adopted an “arts grant” model for drawing in his sketchbook

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