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Posts tagged "copying"
Aug 07, 2013
Jun 28, 2013
British album cover artist Roger Dean sues James Cameron over ‘Avatar’
A pretty ridiculous lawsuit:
Dean alleged that some Avatar production workers had studied and referenced Dean’s art as they worked on the movie. The lawsuit claimed the film copied “floating mountains,” “stone arches” and the antennae and markings on flying creatures.
With an equally ridiculous statement by Cameron’s lawyer:
Cameron lawyer Bert Fields called Cameron the “most original and creative person in the motion picture business today” and said he doesn’t need to copy from anyone.
Oh really? Here’s a big list of potential influences on Avatar. i09 has a gallery of Dean art that looks similar, along with an article about how many of the design elements were taken from cars, the ocean floor, and real-life mechanics.
Jun 15, 2013
Ivan Brunetti, Aesthetics: A Memoir
Brunetti’s an interesting guy. I love the spirit of the introduction—his humility and his contentment with just being one small member in a tribe of craftsmen…
I am aware that there is no originality in my work, that pretty much all I am doing essentially is making my own version of Peanuts (crossed with Robert Crumb) and a vastly, hopelessly inferior one at that….No matter. I am happy to be a subatomic particle whizzing around inside the seemingly infinite ocean of cartooning.
…and the the book trailer…
As a teacher, I like to encourage my students to explore their own past and explore the things that shaped them. And from there, I think you can use that as raw material for whatever [else] you want to explore. I don’t think anyone should be ashamed of where they came from or the things that aesthetically shaped them….
I’m sure people will look at my drawing style and think, “That’s pretty simple. I can do that.” And actually, I think that’s good. That’s what I want people to say. Hopefully it will inspire someone to feel like they can do it and that they can take whatever limited ability or limited means…even just using the cheapest materials. […] The hardest thing for most people is simply getting started. That’s my hope [for this book] really: that people will look through it and just feel inspired to make something of their own and start valuing whatever it is they make.
If you haven’t read his book, Cartooning: Philosophy and Practice, it’s $10, and probably the best guide to cartooning ever written.
Mar 04, 2013
If my idea isn’t worth copying then it’s not a very good idea. If my product or business can’t handle a new competitor, then it’s not a very good product.
Jan 12, 2013
Wally Wood’s 22 Panels That Always Work
I don’t believe that Woody put the examples together as a teaching aid for his assistants, but rather as a reminder to himself. He was always trying to kick himself to put less labor into the work! He had a framed motto on the wall, “Never draw anything you can copy, never copy anything you can trace, never trace anything you can cut out and paste up.” He hung the sheets with the panels on the wall of his studio to constantly remind himself to stop what he called “noodling.”
See also: Ivan Brunetti’s parody
(Thx to Andy Wales)
Jan 04, 2013
» Chinese copycat architects pirating design of a building while it's being built
It seems Chinese copycat architects are pirating the design of Zaha Hadid’s latest project, the Wangjing SOHO, as the building comes to fruition. This isn’t the first time pirates have copied architectural plans on a massive scale — it’s just that now it’s happening in real time.
One of the major ways to tell whether something is a remix or a ripoff is whether the thief has transformed the stolen material into something new. One of the ways this transformation can happen is by simply appropriating material from one context and tweaking it just enough to make it work in another.
But when you consider how Hadid feels about context, things get a little interesting:
I don’t really believe in relating to the environment, per se. [It can be hard] to start afresh with something new if you’re always constantly relating to context. And I think what’s happened in the last, let’s say, twenty or thirty years is the whole idea of context has changed a lot.
Some would say this is exactly the trouble with architecture today: architects design buildings regardless of their context, in the hopes of making “something new,” something less like design and more like art. In some ways, it seems fitting that Hadid is having her design ripped off—if one designs without “relating to context,” then it makes sense that the design could be lifted and plopped right down in another context without any transformation.
I’ve never tried to copy anyone’s lines, which [was] really stupid. I thought that if you learnt other people’s basslines then you wouldn’t get your own style but in fact all that happens is that you don’t learn the instrument.
Dec 18, 2012
Dec 05, 2012
Copycat Movie Posters
Nobody copies like Hollywood and advertising. Put them together? Things get even worse.
But before you get too upset, remember what these posters are for: they’re a kind of visual shorthand for genre. The fact that they all look alike is, to the marketing department, a feature, not a bug.
The first thing I learned as a librarian: you can judge a book by its cover, or at least its genre.
Oct 19, 2012
Barry Blitt covers Norman Rockwell
Next week’s cover, “Skin Deep,” by Barry Blitt, pays homage to the Norman Rockwell painting “The Tattoo Artist.” We asked Blitt how he came up with this idea. “My grandfather was a Sunday painter, he used to copy a lot of Norman Rockwell paintings, so I was aware of all the classic images at a very young age,” he told us. “Mitt Romney looks like he stepped out of one of those pictures.”
Blitt is so good. (via)
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