TUMBLR

A scrapbook of stuff I'm reading / looking at / listening to / thinking about...



Posts tagged "creativity"

May 31, 2013
Permalink
When you start to think of the arts as not this thing that is going to get you somewhere in terms of becoming an artist or becoming famous or whatever it is that people do, but rather a way of making being in the world not just bearable, but fascinating, then it starts to get interesting again.

May 26, 2013
Permalink
For a while, it seemed like I was getting sent this article, “Creative People Say No” at least twice a day. The idea is that creative geniuses say “no” to a lot of requests (like, a psychology professor researching processes of creative genius) in order to get their work done, so if you want to be a creative genius, you have to say no a lot so you can get your work done.

A bunch of people asked me what I thought about it, and I said, “It’s good advice for the rich and famous.”

Ian Bogost explains it nicely, here:


  [Y]ou have to say ‘yes’ for a long while before you can earn the right to say ‘no.’ Even then, you usually can’t say ‘no’ at whim. By the time you can say ‘no’ indiscriminately, then you’re already so super-privileged that being able to say ‘no’ is not a prerequisite of success, but a result of it.


There was a little index card in the back of Steal Like An Artist that didn’t make it into the book that sums up my own point of view: “Be as generous as you can, but selfish enough to get your work done.”

(Thx @ayjay.)

For a while, it seemed like I was getting sent this article, “Creative People Say No” at least twice a day. The idea is that creative geniuses say “no” to a lot of requests (like, a psychology professor researching processes of creative genius) in order to get their work done, so if you want to be a creative genius, you have to say no a lot so you can get your work done.

A bunch of people asked me what I thought about it, and I said, “It’s good advice for the rich and famous.”

Ian Bogost explains it nicely, here:

[Y]ou have to say ‘yes’ for a long while before you can earn the right to say ‘no.’ Even then, you usually can’t say ‘no’ at whim. By the time you can say ‘no’ indiscriminately, then you’re already so super-privileged that being able to say ‘no’ is not a prerequisite of success, but a result of it.

There was a little index card in the back of Steal Like An Artist that didn’t make it into the book that sums up my own point of view: “Be as generous as you can, but selfish enough to get your work done.”

(Thx @ayjay.)

May 17, 2013
Permalink
Some of the most consistent innovators of the modern era have also been among its biggest monsters. [Think of] the diabolical creativity of Nazi Germany, which was the first country to use ballistic missiles, jet fighter planes, assault rifles, and countless other weapons. And yet nobody wanted to add Peenemünde, where the Germans developed the V-2 rocket during the 1940s, to the glorious list of creative hothouses that includes Periclean Athens, Renaissance Florence, Belle Époque Paris, and latter-day Austin, Texas.

May 06, 2013
Permalink

90 minutes

Is 90 minutes the magic amount of time you need for a productive work session? explore-blog posted this bit of Tony Schwartz’s article, “Relax! You’ll Be More Productive”:

In the 1950s, the researchers William Dement and Nathaniel Kleitman discovered that we sleep in cycles of roughly 90 minutes, moving from light to deep sleep and back out again. They named this pattern the Basic-Rest Activity Cycle or BRAC. A decade later, Professor Kleitman discovered that this cycle recapitulates itself during our waking lives.

The difference is that during the day we move from a state of alertness progressively into physiological fatigue approximately every 90 minutes. Our bodies regularly tell us to take a break, but we often override these signals and instead stoke ourselves up with caffeine, sugar and our own emergency reserves — the stress hormones adrenaline, noradrenaline and cortisol.

Working in 90-minute intervals turns out to be a prescription for maximizing productivity. Professor K. Anders Ericsson and his colleagues at Florida State University have studied elite performers, including musicians, athletes, actors and chess players. In each of these fields, Dr. Ericsson found that the best performers typically practice in uninterrupted sessions that last no more than 90 minutes. They begin in the morning, take a break between sessions, and rarely work for more than four and a half hours in any given day.

I was immediately reminded of John Cleese’s lecture on creativity:

Cleese specifically advocates taking 90 minutes to create space and time. It takes him about 30 minutes to calm down and open his mind, leaving an hour of creative time working on something.

Apr 24, 2013
Permalink
“Talent hits a target no one else can hit; genius hits a target no one else can see.”
—Arthur Schopenhauer

“Instead of shooting arrows at someone else’s target, which I’ve never been very good at, I make my own target around wherever my arrow happens to have landed. You shoot your arrow and then you paint your bulls eye around it, and therefore you have hit the target dead centre.”
—Brian Eno

“I had a son, so I said, ‘I’m going to be a father for a while. I’m not going to rush into work. Let the work come find me.” I let the target draw the arrow, the arrows came my way.”
—Matthew McConaughey

“Talent hits a target no one else can hit; genius hits a target no one else can see.”
Arthur Schopenhauer

“Instead of shooting arrows at someone else’s target, which I’ve never been very good at, I make my own target around wherever my arrow happens to have landed. You shoot your arrow and then you paint your bulls eye around it, and therefore you have hit the target dead centre.”
Brian Eno

“I had a son, so I said, ‘I’m going to be a father for a while. I’m not going to rush into work. Let the work come find me.” I let the target draw the arrow, the arrows came my way.”
Matthew McConaughey

Permalink
People who don’t consider themselves to be creative will sing and draw and make up stories if they are interacting with a baby or a toddler they care about. When I point this out, they tell me it’s because babies are not judgmental. But is that really it? Or is it because it’s a language that works?

Apr 16, 2013
Permalink

Apr 08, 2013
Permalink

Mar 17, 2013
Permalink
I have never missed a meditation in 40 years. I meditate once in the morning, and again in the afternoon, for about twenty minutes each time. Then I go about the business of my day. And I find the joy of doing increases. Intuition increases. Creativity increases. The pleasure of life grows. And negativity recedes.
David Lynch on meditation (To be fair, he also used to go to the Bob’s Big Boy every day for seven years and eat a chocolate shake and drink four to seven cups of coffee with sugar for the rush!)

Feb 04, 2013
Permalink
Indifference to source allows us to assimilate what we read, what we are told, what others say and think and write and paint, as intensely and richly as if they were primary experiences. It allows us to see and hear with other eyes and ears, to enter into other minds, to assimilate the art and science and religion of the whole culture, to enter into and contribute to the common mind, the general commonwealth of knowledge. This sort of sharing and participation, this communion, would not be possible if all our knowledge, our memories, were tagged and identified, seen as private, exclusively ours. Memory is dialogic and arises not only from direct experience but from the intercourse of many minds.
Oliver Sacks defends Tumblr? Ha.