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Posts tagged "eddie campbell"

Nov 13, 2009
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Once after drawing my pal White, he complained that I’d made him look fat. I told him I’d fix it by making his head bigger. These are the, ahem, secrets of the trade.

Oct 27, 2009
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I no longer think of [my autobiographical work] as my own life. In making something out of memory, my mind has relinquished any hold upon a recall of the actual events. I have given my mind permission to let it all slip away, so that the work now has the stamp of fiction for me. It could just as easily be somebody else’s life as far as I’m concerned, a wholly imaginary person’s, even.

Oct 21, 2009
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Eddie Campbell page from “How To Be An Artist”

Eddie Campbell page from “How To Be An Artist”

Sep 02, 2009
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Jul 17, 2009
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Panel from Chapter 1 of From Hell by Eddie Campbell

Panel from Chapter 1 of From Hell by Eddie Campbell

Jul 06, 2009
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Eddie Campbell panel from After The Snooter

Eddie Campbell panel from After The Snooter

Mar 29, 2009
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With any luck he’ll fall through the space between the panels and we’ll be spared.

Mar 04, 2009
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Oct 08, 2008
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Eddie Campbell on “pulling faces”

The comic artist’s most important and undervalued skill? The ability to make faces in the mirror.  

Must remember to mount a mirror in my new office…

Eddie Campbell on “pulling faces”

The comic artist’s most important and undervalued skill? The ability to make faces in the mirror.

Must remember to mount a mirror in my new office…

Oct 04, 2008
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…in life we are conscious…of playing out a story….We take part in a greater or lesser story according to our imagination, and our mind’s ability to rise above the daily transactions of survival.

Sep 23, 2008
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Eddie Campbell on Marginalia

I’ve talked about the uses of the margins in medieval manuscripts in “The History of Humor.” Michael Camille, the writer on medieval art had died at the young age of 49 a few years ago. A very insightful academic. But he had an idea in explaining marginalia because why are these grotesques and ugly things and obscenities going on in the margins of these holy books? What’s going on there, what’s the point?

He had an idea that the page is the universe and at the center is everything that’s good and holy. Evil is on the fringes, on the outside. That’s why you have the gargoyles on medieval churches. They’re on the outside. The worst thing you could be in those days was outside the church. To be excluded or pushed to the fringes. The page as a representation as everything.

I decided to try and use that so that in my book life is in the middle and the margin is outside. It’s a symbolic commentary on life or footnotes or the author can be in the margin. Characters once they’ve died can have a life in the margin. They can pop up there to make commentary or get messages to the living. By the time this book has finished all the characters have ended up in the margins. There’s nothing going on in the center. Everyone’s in the margins talking amongst themselves. That was the idea behind it.

Sep 08, 2008
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Al Capp panel

“When an interviewer asks me why he should read graphic novels, my standard response now is to say ‘good lord, not you, you’re far too stuffy.’ - Eddie Campbell

Al Capp panel

“When an interviewer asks me why he should read graphic novels, my standard response now is to say ‘good lord, not you, you’re far too stuffy.’ - Eddie Campbell

Aug 06, 2008
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Mar 27, 2008
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‘Why do you wear your glasses on the end of your nose?’ a girl once asked me. ‘They’d do me no good on the end of my willy.’ I replied professorially.

Newspaper Blackout

Newspaper + Marker = Poetry. Pre-order it now for $10 on Amazon.com