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A scrapbook of stuff I'm reading / looking at / listening to / thinking about...



Posts tagged "fiction"

Apr 05, 2013
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One of my favorite resources for [writing] stories is Dale Carnegie’s How to Win Friends and Influence People. Because it’s a book written for socially inept people who can’t figure out why no one likes them. If you reverse his advice, every situation that Dale Carnegie talks about is a roadmap for how to alienate people and making your social circumstance worse. All you need to do is do the opposite of everything Dale Carnegie says, and you will have a character who does things that people really do in the real world. You and your readers will feel like you can understand why they would do these things because we’ve all done them.

Feb 24, 2013
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Patrick DeWitt, The Sisters Brothers

I love Westerns. I love a good story. I love 300-page books with super-short chapters. I love funny dialogue. I love narrators who digress.

I loved this book.

My wife got it for me for Valentine’s Day. I’d never heard of it. 100 pages in, I started reading it really slowly because I didn’t want it to end.

After I finished, I read some interviews with DeWitt, and found out that the novel was sort of an accident.

After his first novel, he’d been thrown off the scent of story, and was more concerned with “voice,” but he got really bored with his reading habits, and started re-reading some older favorites of his, rediscovering story as a kind of constraint. (He says now of his reading habits, “The moment it begins to feel like homework, I head for something more welcoming.”)

Then one day he scribbled “sensitive cowboys” on a piece of paper. He started thinking about how the neurotic is rarely featured in Westerns, instead, the hero is usually a “near mute man in black who kicks the devil in the dick before breakfast.”

So he wrote “a testy exchange between two men riding side-by-side on horseback. One of them was self-doubting and vulnerable, while the other was confident to a fault.” He didn’t know what to do with it, so he set it aside. Later, he found a book about the Gold Rush at a yard sale, and he remembered the two men. He wrote about forty pages before he discovered they were brothers. He says writing the dialogue “at times I felt I was eavesdropping.”

In the book, the brothers head out to kill a man named “Hermann Kermit Warm.” This character came about after DeWitt cut a photo of a prospector out of the yard sale book and tacked it up on his wall. The name however,


  I didn’t make it up. I stole it. I was watching Robert Wiene’s The Cabinet of Dr. Caligari, and a Hermann Warm was credited as the art director. He’s got a Wikipedia page and everything. I added the Kermit, because I like the musicality of the added syllables, but really, I just lifted it.


Another fun tidbit: at some point he realized he was spending too much time on the internet, and that he’d actually never gotten a good idea from there, so he had his wife change the wifi password.

Anyways, this is the best book I’ve read so far this year. Highly recommended.

Patrick DeWitt, The Sisters Brothers

I love Westerns. I love a good story. I love 300-page books with super-short chapters. I love funny dialogue. I love narrators who digress.

I loved this book.

My wife got it for me for Valentine’s Day. I’d never heard of it. 100 pages in, I started reading it really slowly because I didn’t want it to end.

After I finished, I read some interviews with DeWitt, and found out that the novel was sort of an accident.

After his first novel, he’d been thrown off the scent of story, and was more concerned with “voice,” but he got really bored with his reading habits, and started re-reading some older favorites of his, rediscovering story as a kind of constraint. (He says now of his reading habits, “The moment it begins to feel like homework, I head for something more welcoming.”)

Then one day he scribbled “sensitive cowboys” on a piece of paper. He started thinking about how the neurotic is rarely featured in Westerns, instead, the hero is usually a “near mute man in black who kicks the devil in the dick before breakfast.”

So he wrote “a testy exchange between two men riding side-by-side on horseback. One of them was self-doubting and vulnerable, while the other was confident to a fault.” He didn’t know what to do with it, so he set it aside. Later, he found a book about the Gold Rush at a yard sale, and he remembered the two men. He wrote about forty pages before he discovered they were brothers. He says writing the dialogue “at times I felt I was eavesdropping.”

In the book, the brothers head out to kill a man named “Hermann Kermit Warm.” This character came about after DeWitt cut a photo of a prospector out of the yard sale book and tacked it up on his wall. The name however,

I didn’t make it up. I stole it. I was watching Robert Wiene’s The Cabinet of Dr. Caligari, and a Hermann Warm was credited as the art director. He’s got a Wikipedia page and everything. I added the Kermit, because I like the musicality of the added syllables, but really, I just lifted it.

Another fun tidbit: at some point he realized he was spending too much time on the internet, and that he’d actually never gotten a good idea from there, so he had his wife change the wifi password.

Anyways, this is the best book I’ve read so far this year. Highly recommended.

Jan 09, 2013
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A writer understands his work as something that originates with him but then, with any luck, gets away from him.
George Saunders, who says the role of fiction is to “transfer energy from writer to reader”

Mar 17, 2012
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Feb 05, 2012
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Fiction is fun because you get to steal an identity and try to make it authentic.
Dan Chaon (Get his new book!)

Jul 26, 2011
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Jun 08, 2011
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If I had had to write only about imaginary people, I would have had to close up my typewriter. I wrote about my life in less and less disguise as I grew older, and finally with no disguise — except the disguise we create for ourselves, which is self-deception.

Mar 23, 2011
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All fiction is fan fiction.

Dec 07, 2010
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In the afterlife you relive all your experiences, but this time with the events reshuffled into a new order: all the moments that share a quality are grouped together. You spend two months driving the street in front of your house, seven months having sex. You sleep for thirty years without opening your eyes. For five months straight you flip through magazines while sitting on a toilet. You take all your pain at once, all twenty-seven intense hours of it. Bones break, cars crash, skin is cut, babies are born. Once you make it through, it’s agony-free for the rest of your afterlife. But that doesn’t mean it’s always pleasant. You spend six days clipping your nails. Fifteen months looking for lost items. Eighteen months waiting in line…
— David Eagleman, Sum: Forty Tales From The Afterlifes (Sez Bobulate: “Don’t miss the tiny piece that is Stephen Fry’s audio version. Then jump to, unrelatedly, Eagleman’s PopTech talk, which is full of possibility”)

Nov 05, 2010
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Broke and desperate, I kidnapped myself. Ransom notes were sent to interested parties. Later, I sent hair and fingernails, too. They insisted on an ear.
Stuart Dybek, “Ransom,” from Hint Fiction