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A SCRAPBOOK OF STUFF I'M READING / LISTENING TO / LOOKING AT ON THE NET.


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Posts tagged "lynda barry"

Sep 18
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New Lynda Barry pages.Who says Twitter isn’t good for anything?

a loyal follower tweeted that they would like to see some pages from the latest Lynda Barry book so here they are.
Thank me, people.
New Lynda Barry pages.

Who says Twitter isn’t good for anything?

a loyal follower tweeted that they would like to see some pages from the latest Lynda Barry book so here they are.

Thank me, people.

Sep 15
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The war over wind
Article about wind turbines, with a comic by Ms. Lynda Barry.(via chris oliveros)

The war over wind

Article about wind turbines, with a comic by Ms. Lynda Barry.

(via chris oliveros)

Sep 08
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Lynda Barry’s index card notes for WRITING THE UNTHINKABLE! (She spreads them out on the floor before starting.)

see magdaZINE’s whole set
Lynda Barry’s index card notes for WRITING THE UNTHINKABLE! (She spreads them out on the floor before starting.)

see magdaZINE’s whole set

Aug 06
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Jun 23
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May 01
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Lynda Barry, “Today’s Demon: Dogs,” from ONE! HUNDRED! DEMONS!This story pretty much perfectly describes our experience with our adopted and previously abused dog Milo. He needs more love than discipline…
Lynda Barry, “Today’s Demon: Dogs,” from ONE! HUNDRED! DEMONS!

This story pretty much perfectly describes our experience with our adopted and previously abused dog Milo. He needs more love than discipline…



Apr 23
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Mar 09
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Alternative cartoonist Lynda Barry makes a resurgence — chicagotribune.comWonderfully long profile in the Chicago Tribune. Lots of goodies: how little she was making drawing Ernie Pook and why she decided to quit, how WHAT IT IS has sold 30,000 copies, the novel she’s writing “about a man who decides he’s not going to live long enough to write a book so he creates the spines of books he might have written”, gushing quotes from Chris Ware, Ivan Brunetti, Alison Bechdel…well worth reading!
Don’t miss the photo gallery with pictures of her work.
Alternative cartoonist Lynda Barry makes a resurgence — chicagotribune.com

Wonderfully long profile in the Chicago Tribune. Lots of goodies: how little she was making drawing Ernie Pook and why she decided to quit, how WHAT IT IS has sold 30,000 copies, the novel she’s writing “about a man who decides he’s not going to live long enough to write a book so he creates the spines of books he might have written”, gushing quotes from Chris Ware, Ivan Brunetti, Alison Bechdel…well worth reading!

Don’t miss the photo gallery with pictures of her work.

Mar 05
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I don’t know about you, but when I go into an art gallery, I always feel like I’m in an intensive care unit. You know what I mean? Everything’s super expensive, and you feel like somebody’s gonna die, and you kind of don’t know what to think about the stuff on the wall.

Mar 03
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[Selling my art on Ebay] was one of the best moves I’ve made. I was lying in bed thinking, “What the hell?” There is a preciousness about original art and how it’s sold in galleries that I’ve never liked. There was something about selling my work for under $100 and then throwing in extra images when I sent the work to the buyer that really made me happy. I felt free of “The Man” when I did it, and free of coolness, and free of success. I felt like I had a reliable decent job.

Feb 24
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Lynda Barry on the image, interviewed in The Comics Journal, #296: 


What It Is is based on something I learned from my teacher, Marilyn
  Frasca, at the Evergreen State College in Olympia, Wash. I studied
  with her for two years in the late 1970s. Her idea seemed to be that
  everything we call art, whether it’s music or dance or writing or
  painting, anything we call art is a container for something she called
  an image. And she believed that once you understood what an image
is, then the form you give it is up to you. 
The question “What is an Image?” has guided all of my work for
  over 30 years. Because of what I learned from Marilyn, there isn’t
  much of a difference in the experience of painting a picture, writing
  a novel, making a comic strip, reading a poem or listening to a
  song. The containers are different, but the lively thing in the
  center is what I’m interested in. 
It’s the living thing we activate when we read a book. Like Scrooge, for example. I know Scrooge came from a book, came from the hand of Dickens, but where is Scrooge really? Where is he right now? He’s not inside a book. If I say Scrooge and you know just who I’m talking about, and so do the first 1,000 people we stop on the street to ask if they know who Scrooge is, where is Scrooge located?
Scrooge is an image. Batman is an image. The alphabet is an image. I’d say Abraham Lincoln is an image, too. Although the bones of Lincoln are in a specific location, that’s not what we mean when we speak his name. We don’t mean his bones. Images are entities with no fixed location, they can occur to us at any place at any time. You and I can talk about them, though you and I have never met.
Lynda Barry on the image, interviewed in The Comics Journal, #296:

What It Is is based on something I learned from my teacher, Marilyn Frasca, at the Evergreen State College in Olympia, Wash. I studied with her for two years in the late 1970s. Her idea seemed to be that everything we call art, whether it’s music or dance or writing or painting, anything we call art is a container for something she called an image. And she believed that once you understood what an image is, then the form you give it is up to you.

The question “What is an Image?” has guided all of my work for over 30 years. Because of what I learned from Marilyn, there isn’t much of a difference in the experience of painting a picture, writing a novel, making a comic strip, reading a poem or listening to a song. The containers are different, but the lively thing in the center is what I’m interested in.

It’s the living thing we activate when we read a book. Like Scrooge, for example. I know Scrooge came from a book, came from the hand of Dickens, but where is Scrooge really? Where is he right now? He’s not inside a book. If I say Scrooge and you know just who I’m talking about, and so do the first 1,000 people we stop on the street to ask if they know who Scrooge is, where is Scrooge located?

Scrooge is an image. Batman is an image. The alphabet is an image. I’d say Abraham Lincoln is an image, too. Although the bones of Lincoln are in a specific location, that’s not what we mean when we speak his name. We don’t mean his bones. Images are entities with no fixed location, they can occur to us at any place at any time. You and I can talk about them, though you and I have never met.

Dec 01
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They’ve done MRI stuff on hoarders—on people who have that thing where they can’t throw away anything. They do these MRIs to see what part of the brain is getting blood flow, and they had this woman who had a really big hoarding problem. She had coupons that had expired ten years earlier and what they wanted to do was measure her blood flow as they put the coupon that had expired ten years earlier through a shredder. And it was the blood flow exactly as if she herself had been attacked. My husband is also a hoarder—we love garbage—and this wish to transform garbage into something valuable, it’s sort of a feeling about yourself as well. The hoarding thing is really interesting. I do think it’s a defense. Also, my mom was very neat, so I know as long as there’s stuff on the floor she’s nowhere around [laughs]. If things are a mess, that woman is not ever around. So I made my ring of trash to keep her away.

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Lynda Barry on keeping a journal on legal paper:


…the way that I set up my desktop is, I’ll have a comic strip on my left side, and I’ll be working on it, and when the comic strip dries up—because it always does; everything you do, the wheels fall off a little bit—instead of sitting there and going, “Oh, what comes next,” I would just move my pen over and start scribbling stuff. And while I was drawing sometimes I would hear a sentence in my head, like, “Take a ouija board attitude toward your brush.” So there’s January 11th, and most of these were done while I was doing What It Is. There was something about the legal paper—I felt freed by it. I also thought, if other people see it on legal paper, then they’ll be like, “Legal paper is good enough! You don’t have to go to the art supply store and buy some special paper!” So I liked it and I’ve been keeping a journal this way for years and years and years. I have thousands of those pages.

Lynda Barry on keeping a journal on legal paper:

…the way that I set up my desktop is, I’ll have a comic strip on my left side, and I’ll be working on it, and when the comic strip dries up—because it always does; everything you do, the wheels fall off a little bit—instead of sitting there and going, “Oh, what comes next,” I would just move my pen over and start scribbling stuff. And while I was drawing sometimes I would hear a sentence in my head, like, “Take a ouija board attitude toward your brush.” So there’s January 11th, and most of these were done while I was doing What It Is. There was something about the legal paper—I felt freed by it. I also thought, if other people see it on legal paper, then they’ll be like, “Legal paper is good enough! You don’t have to go to the art supply store and buy some special paper!” So I liked it and I’ve been keeping a journal this way for years and years and years. I have thousands of those pages.

Newspaper Blackout

Newspaper + Marker = Poetry. Pre-order it now for $10 on Amazon.com