Matt Groening once did a great Life in Hell strip that took the form of a map of Bongo’s neighborhood. At one end of a street that wound among yards and houses stood Bongo, the little one-eared rabbit boy. At the other stood his mother, about to blow her stack—Bongo was late for dinner again. Between mother and son lay the hazards —labeled angry dogs, roving gang of hooligans, girl with a crush on bongo—of any journey through the Wilderness: deadly animals, antagonistic humans, lures and snares. It captured perfectly the mental maps of their worlds that children endlessly revise and refine. Childhood is a branch of cartography.

See also: my posts on worldbuilding and maps of fictional worlds.