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Posts tagged "neil gaiman"

Aug 29, 2014
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Neil Gaiman, The Sandman

A young lady at Dragon’s Lair comics here in Austin talked me into buying the first volume, and when I got the whole stack from the library, another young lady at the checkout desk looked at the stack with approval and asked, “First time?”

It took me about two months to get through all ten volumes — read them only before bed, which did, unsurprisingly, have an effect on my dreams.

Sandman was a DC comics character that Gaiman resurrected for the series:

They said: make it your own. So I started thinking more mythic – let’s have someone who’s been around since the beginning of time, because that lets me play around with the whole of time and space. I inherited from mythology the idea that he was Morpheus, king of dreams: it’s a story about stories, and why we need them, all of them revolving in some way around Morpheus: we encounter a frustrated writer with an imprisoned muse; we attend a serial killer convention and the first performance of A Midsummer Night’s Dream; we even find out what cats dream about (and why we should be afraid).

I have to admit, one thing I find very disorienting about reading the series, especially reading it all in one big gulp, is the rotating cast of artists. I find that when reading comics made by a bunch of different artists (different penciler, inker, colorist, etc.) there’s a kind of lack of visual unity that just puts things off a little. Characters sometimes don’t look like themselves, and it can be hard to track visually what’s going on. (Which makes me appreciate collaborations like Saga and From Hell all the more.)

Dave McKean, who did all the covers, alludes to this:

Since the interior artists changed all the time, I was the only consistent visual element. I wanted the covers to be a filter, a window of slightly surreal, melancholy, thoughtful imagery to pass through… Some covers were painted, some drawn, but many of the first few were 5ft-high collage-type works made by me that we took to a high-res photography studio to shoot – this was all pre-computers.

McKean’s covers are really worth browsing through (here are some of his favorites and a dedicated volume).

I actually wish there was a way (other than owning the original comics) to replicate the serialized experience of reading the individual issues. I’d like a series that was just the original comics, with ads and everything, bound together. These trade paperbacks I read had the covers, but everything was sort of squashed together, and it was hard to tell where one issue began and one ended. I suppose you could download the original scans on bittorrent or something.

It’s fun to swallow it all in one gulp, but I can only imagine how cool it was to read these individually, in their original context, back in the day. Saga is the first comic I’ve read for which I’ve actually gone to the comic book store to get new issues, and it’s a really fun experience.

Filed under: my reading year 2014

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Original pre-Photoshop assemblages Dave McKean made for The Sandman covers

neil-gaiman:

poisonousliasons:

Before Photoshop

I miss them still…

They really were that size: paintings and assemblages that Dave would take to get photographed, and send the transparency to DC Comics to use as a cover.

Here’s McKean:

Some covers were painted, some drawn, but many of the first few were 5ft-high collage-type works made by me that we took to a high-res photography studio to shoot – this was all pre-computers. I ended up wandering around London with Neil trying to find interesting bits and bobs to use as imagery. We liberated a fantastic-looking broken door from a skip, and found odds and ends in antique shops. People started donating things: I did a signing in London and someone gave me a lamb’s heart in a block of resin. It got used a few times.

Aug 01, 2014
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May 22, 2013
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Make bad art.

Neil Gaiman has released a book of his great commencement address, Make Good Art.

When things get tough, this is what you should do: Make good art. I’m serious. Husband runs off with a politician — make good art. Leg crushed and then eaten by a mutated boa constrictor — make good art. IRS on your trail — make good art. Cat exploded — make good art. Someone on the Internet thinks what you’re doing is stupid or evil or it’s all been done before — make good art. Probably things will work out somehow, eventually time will take the sting away, and that doesn’t even matter. Do what only you can do best: Make good art. Make it on the bad days, make it on the good days, too.

I love Gaiman’s message, but I also want to make a plug for something else: when the going gets rough, make bad art, too.

When 9/11 and Katrina hit and she lost a bunch of her close friends, Lynda Barry got really depressed, and all she could do is doodle:

I found myself compelled, like this weird, shameful compulsion to draw cute animals. That was all I could stand to draw. You know, just cry and draw cute animals…dancing dogs with crowns on, you know? And, like, really friendly ducks. But I found this monkey, this meditating monkey, and I found that once - when I drew that monkey, it’s not that it fixed the problem. But it did shift it a little bit, or provide me some kind of relief. And that’s when I started to think, maybe that’s what images do, because I believe in all my - with all my heart they have an absolute biological function…

“Good” can be a stifling word, a word that makes you hesitate and stare at a blank page and second-guess yourself and throw stuff in the trash. What’s important is to get your hands moving and let the images come. Whether it’s good or bad is beside the point. Make art.

Dec 27, 2012
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You get work however you get work, but people keep working because their work is good, because they are easy to get along with, and because they deliver the work on time. And you don’t even need all three! Two out of three is fine. People will tolerate how unpleasant you are if your work is good and you deliver it on time. People will forgive the lateness of your work if it is good and they like you. And you don’t have to be as good as everyone else if you’re on time and it’s always a pleasure to hear from you.

Oct 07, 2012
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George R. R. Martin and what an author owes his readers

I was going through my old stack of New Yorkers and came across this great profile of the Game of Thrones author and his rabid, impatient fans. The profile was published in April 2011, and it’d been six years since Martin published book four of the series, A Feast For Crows. (Book five, A Dance With Dragons, came out a few months later.)

Because fans had waited so long for book five, and Martin was so open with them, giving them glimpses of his life on his LiveJournal, there was (and probably still is, I’m guessing) “an entire community of apostates…devoted to taunting Martin.” A typical comment was, “You suck…. Pull your fucking typewriter out of your ass and start fucking typing.” Some of the crueler comments said, “You better not pull a Jordan,” referring to Robert Jordan, who died before his series “Wheel of Time” was finished.12

In 2009, Martin wrote a blog post, “To My Detractors,” in which he admitted that “the rising tide of venom about the lateness of A DANCE WITH DRAGONS has gotten pretty discouraging.” It seemed that people didn’t want him to travel or to hear about his side projects or hobbies (for example, watching football), all they wanted to do is have him finish the book.

The online attacks on Martin suggest that some readers have a new idea about what an author owes them. They see themselves as customers, not devotees, and they expect prompt, consistent service.

Neil Gaiman responded to this in a wonderful blog post, “Entitlement Issues,” in which he wrote that “George R.R. Martin is not your bitch… People are not machines. Writers and artists aren’t machines.”

You’re complaining about George doing other things than writing the books you want to read as if your buying the first book in the series was a contract with him: that you would pay over your ten dollars, and George for his part would spend every waking hour until the series was done, writing the rest of the books for you…. No such contract existed.

The worst part of all is that Martin knows exactly what it’s like to be a fan — he spent many years writing for fanzines and talked openly of his love of the Lost series and how disappointed and cheated he felt by the ending.

He does think of himself as being bound by an informal contract with his readers; he feels that he owes them his best work. He doesn’t, however, believe that this gives them the right to dictate the particulars of his creative process or to complain about how he manages his time.

See also: The People Vs. George Lucas


  1. It seems insane that fans would be so outright cruel to an artist they love, but it happens all the time online. Last year in a blog post explaining his hiatus, Chris Onstad of Achewood wrote, “I won’t entertain a bunch of entitled whining.” 

  2. Illustration by the awesome David Hughes 

Aug 11, 2012
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I learned not to meet my heroes if I wanted them to remain heroes.

Jan 20, 2012
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Alina Simone, reading chapter two of her book, You Must Go And Win

neil-gaiman:

I love Alina Simone’s book about being Alina Simone, YOU MUST GO AND WIN. It’s a funny, sad, true book of stories about being a Russian-American singer-songwriter on the underside of famous.

I loved it so much, I persuaded Alina to make it into an audiobook, with her narrating.

And now I’ve persuaded Audible to let me set Chapter Two of YOU MUST GO AND WIN free into the world. Chapter Two is the one about answering an ad for a girl singer-songwriter on Craigslist.

It’s funny, sharp, well-observed, heartbreaking and true. Listen to it. If you have friends who’d like it, send them to it.

And if you want more (and I suspect you will) go to this Audible link to hear the rest of Alina’s adventures and misadventures. 

Alina is great. Get it!

(via youcantcopysloppy)

Oct 14, 2011
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I never mind when people tribute me, as long as they’re upfront about it. You can rip me off as much as you like, if you say, “Yeah, I got that from Neil.” Because I feel that the moment I’ve written something, the moment I put something out into the public domain, it belongs to the world.
Neil Gaiman, on the Wachowski Brothers and Kevin Smith borrowing from Sandman for their films, and being gracious about giving him credit

May 05, 2011
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I like ‘pencil-necked weasel’. It has ‘pencil’ in it. Pencils are good things. You can draw or write things with pencils.
Neil Gaiman, on being called a “pencil-necked weasel”
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