TUMBLR
A scrapbook of stuff I'm reading / looking at / listening to / thinking about...
Posts tagged "printmaking"
Test Prints by Aesthetic Apparatus
I saw these fellas speak this spring and forgot to post about their test prints — when they screenprint posters, they use the same sheets of paper to test their new screens, they layers of which result in these unpredictable collage images. They then sell these prints as one-of-a-kind art pieces:
All test prints are one-of-a-kind (monoprint) products of the screen printing process and are signed and editioned “1/1.” Because these prints serve a very specific, conventional function before they are crowned “beautiful”, there may likely be bent corners, smears, scuffs, dirt or all of the above on any test print. This is evidence of the print’s previous life and is considered a “character building” part of the process.
I tried to pair prints with similar imagery together so you can see the different results. What’s interesting to me is that it’s obvious that these test prints influence their more intentional designs — I had to check as to whether this Explosions in the Sky poster was a test print or not!
Also, a great example of selling by-products/artifacts of your process.
(Thx Kate for reminding me of their work.)
Here is a great video of the process of making a (really big) linoleum block print. The artist is my mentor and friend, Bill Fick, and this is one of his signature style prints. Gorgeous!
Very cool.
handmade stationery: stamping with erasers
Erasers + stamp pad = Lo-fi, DIY prints.
Guided By Voices Posters printed by Satch Grimley
Here’s a little example of how small a town Austin is: I wasn’t smart enough (or greedy enough) to tear down one of these at the Austin GBV show, so I’ve been asking around whether anybody knows who printed them. Turns out, they were printed by Satch Grimley, a friend of mine, who I actually saw at the show!
Satch told me he still has a limited number available for $75 a set. You can contact him through his site.
IN NOVEMBER 2006, Flora’s son Joel discovered in his garage attic a large box of his father’s original woodcuts and copper engravings, dating from around 1940 to 1960. The 15 or so blocks and plates appeared to be well-preserved, and included several works for which prints had not previously been found.
Above: woodcut on plywood from 1946, and an undated print.
Yee-Haw Industries studio tour
Printmaker Brian Baker with a Jim Flora print and an original Flora carved block. Too cool.
MoMA has a pretty great site on Picasso’s printmaking






