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A scrapbook of stuff I'm reading / looking at / listening to / thinking about...



Posts tagged "show your work"

May 21, 2013
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May 20, 2013
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The perfect balance is committing to only those crafts that you can perform with satisfaction even if you have to do so in utter obscurity. Then, put your work out in public as part of the process itself—if you’re making homebrew beer or an Arduino hack, make a video or write about the process as a means to think harder about the details of it. If you’re a writer, think of putting it online as simply having the work backed up in one more place. In this way, you open yourself up to the spectrum of possibilities, ranging from utter obscurity at one end to global fame at the other. Far more likely is something closer to the obscurity end but much more satisfying—that you will draw the attention of a relative few who share your interests.
Adam Gurri basically writes my book for me

May 15, 2013
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ArtWork: Seeing Inside the Creative Process

Art Work reveals the artistic notetaking habits of an astonishing range of artists, filmmakers, writers, designers, and other creators by granting rare access to the journal pages and other visual materials they use to capture and foster their work.

From Sasha Frere-Jones’ forward:

As artists, we often prefer the note to the final product; it is an object that is ours alone, free of explanatory fuss and ornament. A mundane list next to three pages of earnestly revised text—shouldn’t we have published it just like that?

From Ivan Vartanian’s introduction, the distinction between journal and notebook:

Where the journal is meant to serve as a daily (or intermittent) record of observations and reflections on a life and its experiences, the notebook is meant as a place of work—for solving problems, jotting an idea, figuring a sequence, determining a position, shaping a phrase. Where the journal documents the life of its owner, the notebook documents the life of an artwork or artistic process.

Here’s Tony Kushner, talking about writing by hand:

Most of my best ideas have not been things that I knew I had in my head. I’ve been surprised by them…and it’s always the case that if you just start moving words around on a piece of paper…if you start limbering up your fingers and get going, you will find your way in.

And Richard Hell:

Notebooks, it seems to me sometimes, are the ultimate art form… Notebooks might be as good as art gets in our time.

(images via grain edit)

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creativemornings:

Woohoo! The moment you have all been waiting for.. the very first CreativeMornings/Austin talk is now live online!

The speaker is none other than Austin Kleon, the force behind Steal Like an Artist and Newspaper Blackout. Austin speaks on April’s theme of the future, by attempting to set the ground rules for future discussions between artists and designers—in terms of how we discuss our work and process.

“I think we’re living in this mass fetishization of creativity,” he says. “And you can tell that from the way we use ‘creative’ as a noun.” He goes on to breakdown some of his previous advice: Do Good Work and Share It With People, on what is good, what is work, and how we should share.

Excellent talk. Watch it here.

A transcription and the slides from the talk are here.

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Whenever you work with someone who you idolize, you realize … he’s just a person trying to make a movie as best he knows how and that doesn’t look so different from other people trying to do the same thing. And he’s wildly smart and brilliant and funny, but it’s moviemaking and there’s something kind of democratic about how difficult it is because everybody — whether you’re Woody Allen or Noah or P.T. Anderson — it’s hard. Making movies is a hard thing and it’s slow. So you can glorify the product, but the process is difficult no matter who you are.
— Greta Gerwig on working with Woody Allen

(Source: nprfreshair)

May 13, 2013
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Astronaut Chris Hadfield’s transmissions from space

Couple of cool facts about astronaut Chris Hadfield, the commander of the International Space Station who’s been Tweeting, Reddit-ing, and YouTube-ing from space:

1) The idea to go behind the scenes with social media was hatched 3 years ago at the Hadfield family dinner table — the Hadfields were trying to figure out how to generate interest for the Canadian Space Agency, which is facing major budget cuts. Hadfield wanted is “to help people connect the real side of what an astronaut’s life is – not just the glamour and science, but also the day-to-day activities.”

2) Hadfield does the posting and responding himself, but Hadfield’s son, Evan, is his unpaid assistant, doing most of the maintenance work: “I make it so that he can simply float up to the computer and post without wasting any of his valuable time.” (I love his Twitter bio: “Internet janitor”) Evan also fed his dad tips about what was going on down on Earth, so he could snap photos.

3) When he gets back: “He’s gonna land on Earth, he’s probably gonna vomit on himself, and then he’s going to pass out. That’s what happens when you come back from space.”

I love this quote from Canada’s first man in space, Marc Garneau, who said he wished he’d had social media during his flights:

“You need that feeling that you haven’t been abandoned up there. You need to feel that there are a whole bunch of people on the ground that are watching over you,” he said. “I think the connection is much stronger now because [Hadfield] has all these people who are tweeting to him and he’s tweeting to them.”

Filed under: show your work

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Be contemporary. Have impact. Strive for it. Be of the world. Move it. Be bold, don’t hold back. Then the moment you think you’ve been bold, be bolder. We are all alive today, ever so briefly here now, not then, not ago, not in some dreamworld of a hypothetical future. Whatever you do, you must make it contemporary. Make it matter now. You must give us a new path to tread, even if it carries the footfalls of old soles. You must not be immune to the weird urgency of today.

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I was the first records editor at Rolling Stone, and there were no rules. There was nothing to fall back on as to how do you write about this kind of music, so people were trying absolutely everything with a great sense of freedom and experimentation and success and failure, and a feeling of, “My God, people are actually paying attention to this. Let’s pretend they aren’t because we don’t want to be intimidated by what somebody might think of what we’re saying.

May 12, 2013
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May 10, 2013
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What’s really worth stealing from Kickstarter

  1. Share your process freely—before what you’re working on is done.
  2. Collect emails.
  3. Email people when your thing is ready to buy.

Rinse and repeat.