TUMBLR

A scrapbook of stuff I'm reading / looking at / listening to / thinking about...



Posts tagged "voice"

Mar 05, 2014
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I’m like a mockingbird, stealing from a bunch of authors at once, which people sometimes mistake for a distinct voice.

Nov 05, 2012
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Find your voice, shout it from the rooftops, and keep doing it until the people that are looking for you find you.
— Dan Harmon at XOXO fest

Sep 04, 2012
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A bad impression of somebody is a voice no one’s ever heard before!
Billy West, voice actor (via)

Oct 02, 2011
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It seems that the essential impulse in working at all is to rehaunt your own house, or to allow what haunts you to have a voice…
Colm Toibin in conversation with Jeffrey Eugenides (thx @hawkt)

May 12, 2011
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…gradually you come under the right influences, picking and choosing, and being selective, and then maybe your voice is the combination of 6 or 8 other voices that you have managed to blend in such a way that nobody can recognize your sources. You can learn intimacy from Whitman, you can learn the dash from Emily Dickinson…you can pick a little bit from every writer and you combine them. This allows you to be authentic. That’s one of the paradoxes of the writing life: that the way to originality is through imitation.
— Billy Collins, at the White House’s Poetry Workshop

Feb 02, 2011
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Don’t worry about style. It will be expressed no matter what you do. Style is part of the way your brain is wired.

Jan 09, 2011
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Ander Monson on “finding your voice” in today’s New York Times

Ander Monson on “finding your voice” in today’s New York Times

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…plenty of people have had some things to say about my lack of professionalism the past year or two. Fine. Digital PR strategists the world over are welcome to scratch their heads, tab through Tweetdeck, and wonder how the hell I have managed to keep a job while talking about my period…
Meaghan O’Connell, in her post about how she came to work for Tumblr

Oct 29, 2010
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Black marks on a page are like a musical score. And because those letters on a page are just a score, they don’t come to life until they are being played. A score for violin is not actualized until somebody takes up a violin and plays the music. That’s when it turns back from paper and ink into music. Pages are like a magic freezing mechanism whereby you take a voice and you put it into a score on a page—it’s a score for voice, it always is—and it becomes actualized again when somebody reads it and turns it back into a voice.

It’s a very magic thing, when you come to think of it. That’s why, when it was first invented, it was regarded with great superstition and awe. Because the king can write down his voice, on a thing, send it hundreds of miles away, and have it read out. And that was his voice. It was like teleportation. What I’m interested in about writing are the aspects that we always overlook because we take writing for granted. But it’s magical, this system of symbols that you can use to take a voice, freeze it to a static, physical state, and then, in the hands of somebody else—far, far away, or maybe very distant in time—they can transmute it back into a voice. I can read John Keats’s letters, long-dead John Keats, and I feel Keats is speaking to me.

— Margaret Atwood, Narrative Magazine

(via ayse)

May 06, 2010
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Whatever you work on should have something of you in it. The most you can really do in life is leave a little bit of yourself behind. You come, you contribute a little, leave a little.
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